“What happens when the story involves suicide, murder, crime, war, death, incest or rape? What if these were part of our family stories? And as writers, what do we ‘do’ with these difficult memories?” (Guntarik et. al 2015)
Creativity in cinema often comes from escaping conventions, or developing new ones. As such, cinema has been revolutionary media in multiple periods in time, not just when it became mainstream in the 1920’s. This often stems from significant political or social change; including sexual revolution, civil rights and wars.
Discontinuity Mark Cousins once said that continuity editing is the equivalent of using the word “then” in a story. There are three general formats of continuity editing; Temporal connections: the relationship between a symptom and result, for example one shot may show a glass being pushed off a table and the second will show glass […]
Disclaimer: coarse language ahead. In 1939, the film Gone with the Wind sparked controversy when Rhett Butler dropped a ‘damn’ onscreen. Since then the use of profanity in cinema has only grown more, which has raised some interesting debates. In this post I will be focusing on ye olde c-bomb, as it was voted the […]
The year was 1956. It was a warm Friday night in the coastal town of Cronulla and the Goddard family (who consisted of my grandmother, Sue, her younger sister, Kathy, and their parents, Ethel and Tom) were crossing their front lawn to join their neighbours, the Telfers, to watch television. Resources were scarce and the family could not purchase […]